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CVFR5: Every time I hear of a new horror I want to see the face of a new monster.

by Ignatz Höch & Hannah Mouse

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This Year will be the Twenty Twelve that John Cusack Tried to Warn Us about. There will be no left and right only forward and down. there will be tiny houses and no one left to live in them. there will be strong winds and batteries charging there will be bright lights and dancing retinal patterns shoppers frozen in their seats by the gravity of the tail spin there will be bottomless hurricanes to hold us all tightly mislaid placards washed up on tropical beaches and meaningless borderlands as far as the eye can see there will be 200 storey buildings resting gently on their sides ladders melting from mountains whips of thin air and salt. tiny machines processing sea water into secret oils there will be an inadequate history that no one can read or tell there will be amnesia and speculation treasure buried in tiny snatches of remaining code there will be contemporary relics crushed under heavenly wheels of dirt stores of radiant concrete rising from the sea floors high speed mutation with great loss and wonder there will be everything for sale but nothing worth keeping and no hands to hold it. There will be swirling ashes in the morning light and you know of a blanket in a tent somewhere, there is a body you will press yourself too and they will be so pleased to see you and the moment before you fall asleep you will thank each thing that has brought you to this happy place.
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about

Collected Void Field Recordings 5: Every time I hear of a new horror, I want to see the face of a new monster.

Track one features a poem previously performed at Transnational Queer Underground.

Track two features an interview recording with Louise Brooks

Track three was made at Sample Science and features a recording of a glorious woman yelling at some terrible shits because they voted republican.

Track four was made with Eclat Crew has lyrics from a song by Wire.

Track five has an introduction by the lovely Michael Walker of Tyskie Sour.

Track six has features the incomparable Ash Sarkar. Yeah, Novara Media are the bees knees.

credits

released June 2, 2019

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Ignatz Höch & Hannah Mouse Berlin, Germany

Ignatz Höch & Hannah Mouse is the musical project of multi-functional artist Judy Moore. She is a twitching mass of asymmetrical insects and spray glue in the shape of a woman. She smells of White Diamonds by Elizabeth Taylor.

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